Epic Fail Bad Art Viral Fame and the History of the Worst Thing Ever Single edition by Mark O'Connell Politics Social Sciences eBooks
Download As PDF : Epic Fail Bad Art Viral Fame and the History of the Worst Thing Ever Single edition by Mark O'Connell Politics Social Sciences eBooks 
It clutters our inboxes. It fills our Facebook feeds. It keeps afloat a whole armada of late-night comedians, YouTube auteurs, and twitter wits … an endless stream of “Worst Things Ever.” Recall, if you will, Rebecca Black’s chart-topping disasterpiece, “Friday.” Or The Room, Tommy Wiseau’s cinematic tragedy turned cult farce. Or the devout Spanish septuagenarian who produced an infamously botched, and now stunningly ubiquitous, retouching of a 19th-century fresco of her Lord and Savior Jesus Christ. The Internet era has fueled an obsession with these and other acts of cultural cluelessness. Hardly a week goes by, it seems, without some new aesthetic travesty spreading across the globe in the form of ones and zeros, spawning countless remixes and riffs, like the world’s biggest inside joke. And once more the cry goes up Fail! Epic Fail!
But what, exactly, draws us to these futile attempts at making songs, movies, and art? What are the essential ingredients that render a ridiculous failure sublime? More important, what does our seemingly insatiable appetite for the “succès d’incompetence” say about our aesthetic impulses? Our ethical ones? Is our laughter all in good fun or is something more sinister at work?
In this original e-book from the online magazine The Millions, Mark O’Connell, one of our funniest and most adroit young literary critics, sets out to answer these questions. He uncovers the historical context for our affinity for terrible art, tracing it back to Shakespeare and discovering the early-20th-century novelist who was dinner-party fodder for C.S. Lewis and J.R.R. Tolkien. He tracks the ascendancy of a once esoteric phenomenon into the mainstream, where “what Marshall McLuhan famously referred to as the Global Village now anoints a new Global Village Idiot every other week.” He offers in-depth accounts of Rebecca Black, Tommy Wiseau, and the “Monkey Jesus”… and he probes the roots of his own obsession with terrible art. In this charming and insightful investigation into why we laugh, O’Connell not only spins a good tale, but he emerges as our leading analyst of the “so bad it’s good” phenomenon. And his discoveries may make you think twice the next time someone passes along a link to the latest, greatest “Epic Fail.”
Epic Fail Bad Art Viral Fame and the History of the Worst Thing Ever Single edition by Mark O'Connell Politics Social Sciences eBooks
Well, I loved the books "Star-Spangled Kitsch" and "The Incomplete Book of Failures," too. O'Connell nails the topic of why awful writers, artists, musicians, and film makers are so compelling and, in their own perverse way, eternal. I mean, Amanda Ros and Julia A. Moore are perennial favorites of mine (I gave their books out for Christmas 2013 (repeatedly)). In some ways, the author discusses the nature of creativity and the artists' perspectives. When I circulated my first screenplay, which actually got some attention in Hollywood, I honestly did not know if it was any good. Julia and Amanda had no such doubts about their work. (Julia A. Moore (aka "The Sweet Singer of Michigan") had revenge on her critics: "The editors that have spoken against my work have went beyond reason." (Take that!))Product details
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Epic Fail Bad Art Viral Fame and the History of the Worst Thing Ever Single edition by Mark O'Connell Politics Social Sciences eBooks Reviews
With "Epic Fail," Mark O'Connell has rocketed to the top (or near-top) of my Authors To Watch list. Although he has written for various outlets including The Millions, Slate, The Guardian, etc., this was the first longform piece of his I've read, and I was completely dazzled.
"Epic Fail" is intelligent cultural critique intelligently written. Like others, I read (rather, devoured) it in one sitting; I was frequently nodding in agreement and even more frequently making notes in order to preserve O'Connell's fresh insights and adroit prose. I normally hesitate to bestow five-star reviews, but for my part "Epic Fail" is a no-brainer. I've already recommended the essay both publicly and privately.
To those who wish it had more of a "conclusion" or final chapter I found that each chapter contained its own conclusions and that the piece as a whole stands on its own without need for a summation. Even those chapters that end on an ambiguous note are done so (in my opinion) intentionally -- requiring the reader to wrestle with the questions and come to his or her own conclusions.
Do not be fooled; although it may look like it, this is not brainless BuzzFeed-lit. "Epic Fail" is an engaging and erudite discourse in pop clothing.
A much-needed addition to the ever-growing field of the celebration of awfulness. It's worth remembering that there are actual people behind the source of the latest round of ridicule, and also worth taking a moment to think about what that laughter says about us.
Written in fresh language and easily readable - even for people who are not used to read about contemporary culture. Author uses rather sophisticated terminology as "camp" with witt, that is why he offers descriptions that are easily understandable. The style could be called journalistic one, but that would not be fair to the author. He is not journalistically superficial but with the use of relevant literature and relevant facts he can grasp what current cultural trends are about.
His analyses are correct, he responds to the last cultural trends appearing in the last months (what shows that book was written rather quickly).
Description of "epically failing" people and cultural values are funny, I was laughing frequently - not only because these people's stories are funny but the author describes them with fun. Not ironically only, but with love and empathy for failing.
I would object only to some parts of book where he is too subjective. Well, using examples from author's life could be inspiring but here he uses his own experiences as arguments, and that is not totally correct. Also he does not draw any conclusions - I guess, the author's goal was just to describe one trend appearing within current culture.
Still, the book is able to provoke self-reflection in us - how we use culture, how we understand people and "failing creators", how we select cultural values.
Interesting reading.
This basically long article is a thoughtful, insightful look at two kinds of human behavior; failing to realize how awful one's own work is, and the need everyone else has to torment the creator. I hope Mark O'Connell is with us a long time, producing more thoughtful pieces.
A thoughtful and insightful book on those creatives unburdened by either talent or self-doubt. This book is short, funny and there's only a smidgen of regret that it does not exemplify what it talks about.
This short book (can I call it an essay) is well-written with colorful descriptions of a number of so-called Epic Failures. I liked the author's analysis of why Epic Fails happen--very insightful. And I especially liked how he wove his own experience into the discussion. The story of the Irish rapper was entertaining and effectively supported the theme of the book.
If you've ever laughed at an awkward amateur performance on YouTube, or felt smug self-satisfaction while reading some poorly written Goodreads review (maybe this one), you've participated in the culture of Epic Fail. This ebook is for you. And me.
Well, I loved the books "Star-Spangled Kitsch" and "The Incomplete Book of Failures," too. O'Connell nails the topic of why awful writers, artists, musicians, and film makers are so compelling and, in their own perverse way, eternal. I mean, Amanda Ros and Julia A. Moore are perennial favorites of mine (I gave their books out for Christmas 2013 (repeatedly)). In some ways, the author discusses the nature of creativity and the artists' perspectives. When I circulated my first screenplay, which actually got some attention in Hollywood, I honestly did not know if it was any good. Julia and Amanda had no such doubts about their work. (Julia A. Moore (aka "The Sweet Singer of Michigan") had revenge on her critics "The editors that have spoken against my work have went beyond reason." (Take that!))
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